[Review] 'An English Haunting' Delivers an Atmospheric and Worthwhile Ghost Story

[Review] The Black Dahlia Murder Show Their Teeth With Brutal New Album 'Verminous'

[Review] The Birthday Massacre Shine Like 'Diamonds' with Synthpop-Leaning Gothic Rock

[Review] Stoneburner Unleashes Atmospheric New EP 'Red in Tooth and Claw'

[Review] Dee McLachlan's 'The Wheel' Reinvents Little, But Holds Back Even Less

[Review] Code Orange Lurks 'Underneath' for Ripping New LP

[Review] Khemmis' 'Doomed Heavy Metal' Brings Shades of Somber in Six-Track EP

[Review] Apocalyptica's 'Cell-0' Is A Powerful Piece of Progressive Neo-Classical Metal

[Review] 'The Wretched' Is a Bewitching Tale of Body-Snatching

[Review] Eminem's Hitchcock Homage 'Music To Be Murdered By' Is Dead on Arrival

[Review] 'Guns Akimbo' Delivers High Octane Thrills from Start to Finish

[Review] Ember Burns' New Short 'The Motel' Is Direct, Provocative and Charming